Printmaking as a Language: Communication and Identity in Indian Art

Authors

  • Mr. Shaik Tajjammul Hussan, Dr. Ramkrishna Ghosh Author

DOI:

https://doi.org/10.8845/xwr9v312

Abstract

This research paper explores the role of printmaking as a powerful language for communication and identity in the context of Indian art. By examining the historical development of printmaking in India and analyzing the works of influential artists, this study aims to demonstrate how the medium has been used to express personal, social, and cultural identities, as well as to address contemporary issues and challenge societal norms. The paper investigates the unique characteristics of printmaking that enable it to function as a language, such as its reproducibility, accessibility, and versatility. Furthermore, it delves into the ways in which Indian printmakers have employed various techniques and styles to convey meaning, evoke emotions, and engage with their audiences. Ultimately, this research highlights the significance of printmaking as a vital tool for artists to communicate their ideas, experiences, and identities, contributing to the rich tapestry of Indian art.

Published

2012-2025

Issue

Section

Articles